



As the capital of New Mexico, Santa Fe is like Albuquerque's richer, thinner, better-looking cousin. The art is more expensive and so the artists seem better fed. The iced coffees are taller, the old town is packed with tourists, and the architecture is more polished. As soon as we drove into town this morning, Adam and I accidentally drove through Canyon Road, a hilly strip of nearly 80 art galleries and studios peppered with New Mexican bistros, vintage Range Rovers, sleepy Dalmatian dogs, and graying high-society drop-outs.
We stopped for cold drinks and smoked pecans at The Tea House before picking out three galleries that suited our tastes more closely than the Moma had last week. New Mexico's warm weather and lack of moisture makes for an environs friendly to outdoor sculpture, and we saw a handful of wind-powered ones made out of metal and old paint cans, dollar bills, and kitchen pots at the Jennie Cooley Gallery. And just a couple doors down were some of the most amazing contemporary paintings and sculptures I have ever seen by a fellow called simply 'Pasqual' at GF Contemporary Gallery, which was staffed by a society of international hipsters who spoke to each other in French and were clothed entirely in grey silk and designer jeans.
Santa Fe also has a proper downtown, which is partly where Bill Richardson (NM's scandal-plagued, but Democratic(!) governor) punches in every daya, and partly a dedicated walking plaza (filled with shopping suitable for hardcore American loyalists). We ate lunch at Cafe Pasqual's, a decades-old SF institution, serving New Mexican, Mexican, and Asian breakfast, dinner, and lunch. Adam's grilled chicken sandwich on chili cornbread was delicious, but played second fiddle to my shredded chicken enchiladas made with white corn tortillas and covered in dark chocolate chili mole.
Stuffed to the gills, we shopped around for a bit, took a break by the river, and then missed Albuquerque so much that we decided to head back home.











































